Maria Giuseppa Guacci

Maria Giuseppa Guacci was born in Naples on 20 June 1807 into a family from the city's lower middle class. His father Giovanni was a printer (according to some sources he was the architect of the royal theatres), while his mother Saveria Tagliaferri was the first to believe in her daughter's talent and encourage her literary vocation. Maria Giuseppa began writing verses very early, already at the age of eight, without any formal preparation. The turning point came when at thirteen she met the poet Domenico Piccinini, who became her private teacher and who went to her house two or three times a week to have her read the great classics such as Ariosto. In 1830, at the age of twenty-three, Maria Giuseppa entered Basilio Puoti's famous school in Palazzo Bagnara. This was a crucial moment in his education: the Puoti school was in fact one of the most important cultural centers in Naples, frequented by intellectuals who would become leading figures of the Italian Risorgimento. Here he became friends with personalities such as Luigi Settembrini, the Imbriani brothers, Antonio Ranieri and Francesco De Sanctis. With them he shared not only a passion for literature, but also liberal political ideals that led them to commit themselves to Italian independence. Nineteenth-century Naples was full of literary salons, meeting places where intellectuals, artists and nobles gathered to discuss literature, politics and culture. Maria Giuseppa frequented the most important: that of the Count of Camaldoli Francesco Ricciardi, that of Giuseppe De Cesare and that of Carlo Troja. It was in Troja's house that in 1833 she met Antonio Nobile, a young astronomer who worked at the Capodimonte Observatory whom she married two years later. From their union two children were born: Arminio, who followed in his father's footsteps by becoming an astronomer, and Emilia, who became a professor of moral philosophy and director of a section of the National Library of Naples. A significant episode was the meeting with Giacomo Leopardi, which Antonio Ranieri brought to his meetings. The great poet from the Marche had a notable influence on the production of Maria Giuseppa, who was struck above all by the themes of melancholy and youthful illusions. Maria Giuseppa's poetic production was collected in three volumes of Rime published in 1832, 1839 and 1847. The first volume was a great success and many reprints. He also collaborated with magazines and newspapers of the time such as Omnibus, Museum of Literature and Philosophy and Weekly Sheet of Science and Letters and Arts. In 1833 she received the medal of meritorious member of the Tiber Academy, but the most important recognition was being admitted to the Accademia Pontaniana in Naples, one of the most prestigious cultural institutions in Italy. Maria Giuseppa did not limit herself to literature, but actively dedicated herself to social commitment. During the cholera epidemic that hit Naples between 1836 and 1837, he personally did his utmost to help the poorest, visiting the degraded neighborhoods of the city. From this experience a History of Cholera was born, published only in 1978. Her interest in education led her to found the "Society of nursery schools" in 1840, anticipating the establishment of public kindergartens by many years. She also published educational manuals such as the Alphabet (1841) and the Second Readings for children aged 9 to 12 (1846), convinced that education was the only path to social progress. In November 1848, he fell ill with tracheitis, which rapidly worsened. He died in Naples on 25 November 1848, aged just 41. Maria Giuseppa Guacci Nobile represents a significant figure of the Italian Risorgimento, not only for her literary production, but above all for her social and political commitment. In an era when women had few opportunities for public expression, she managed to gain recognition as an intellectual and use her position to promote education and help those most in need. His life demonstrates how literature and civil commitment could go hand in hand, anticipating themes and battles that would become central in united Italy.

Bagnara Palace

Bagnara Palace is one of the most important examples of Neapolitan civil architecture. Its history intertwines the events of ambitious bourgeois, noble families and intellectuals, making it a symbol of Neapolitan cultural vitality. It stands in what was once known as Largo del Mercatello (today Piazza Dante). The construction of the building dates back to 1631 by order of Giovan Battista De Angelis, a jurist of humble origins known for his work as a legal advisor and for his influence within the Collateral Council of the Viceroyalty of Naples. A curious figure, De Angelis was also known for his corpulence and his habit of traveling only by carriage. Legend has it that he died following an accidental fall from one of them. After his death, his sons sold the palace to Prince Fabrizio Ruffo, Duke of Bagnara, in 1660. He commissioned the architect Carlo Fontana to renovate it. Fontana modified the original Baroque structure by inserting two new floors above the original cornice, the first with windows and balconies at the ends and the second with square windows and a pitched roof. He then created an elongated internal courtyard with a front portico with two lateral pincer stairs and a scenographic staircase at the back enriched with neoclassical statues and a dome above the central passage. Finally, he created a family chapel, the entrance of which is visible on the left of the facade. After the death of Francesco Ruffo, his wife Ippolita married the famous doctor Domenico Cotugno. Subsequently, the palace passed to Vincenzo Ruffo, who entrusted further works to Vincenzo Salomone, before Fabrizio Ruffo sold the family's collection of furniture, paintings and jewels to the State, now exhibited at the San Martino Museum. In the early nineteenth century, the palace was inhabited by the Marquis Basilio Puoti, an illustrious philologist and promoter of the so-called school of purists, aimed at defending the Tuscan language in the context of Italian literary Romanticism. Among the best-known pupils was Francesco De Sanctis, future first minister of education in Italian history. In 1830, Maria Giuseppina Guacci also joined this school: this represented a crucial moment in her education. Palazzo Bagnara can be considered one of the most significant witnesses of the periods of glory and decadence in the history of the city of Naples.